Instructor Resources


Bibliography

Books General

  • Ackley, Clifford S., ed. Rhythms of Modern Life: British Prints 1914-1939. Boston: Museum of Fine Arts, Boston, 2007.
  • Ainslie, Patricia and Mary-Beth Laviolette. Alberta Art and Artists: An Overview. Brighton, MA: Fifth House Ltd., 2007.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Amos, Robert and the Art Gallery of Greater Victoria. The Canadian Block Print: Woodcuts, Linocuts, Stonecuts and Wood Engravings. Collections of the Art Gallery of Greater Victoria, no. 9. Victoria: the Art Gallery of Greater Victoria, ca. 1979.
  • The Art Gallery of Greater Victoria. Printmaking in British Columbia 1889-1983. Catalogue of an exhibition held at the Art Gallery of Greater Victoria, October 6 to November 27, 1983. Victoria: the Art Gallery of Greater Victoria, 1983.
  • Barz, Sandra B. Inuit Artists Print Workbook. Vol. I, II, III. New York: Arts & Culture of the North, 1981, 1999 and 2004.
  • Bennet, John and Susan Rowley. Uqalurait: An Oral History of Nunavut. McGill-Queen’s University Press, 2004.
  • Blodgett, Jean, with Heather Ardies, Leslie Boyd and Linda Sutherland. In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking. Kleinburg, Ontario: The McMichael Canadian Art Collection, 1991.
  • Braby, Dorothea. The Way of Wood Engraving. London and New York: The Studio Publications, 1953.
  • Brett, Simon. Wood Engraving: how to do it. Swavesey, Cambridge: Silent Books, 1994.
  • Buckland-Wright, John. Etching and Engraving: Techniques and the Modern Trend. London: The Studio Limited, 1953.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Coppel, Stephen. Linocuts of the machine age : Claude Flight and the Grosvenor School. Aldershot, Hants, England: Scolar Press in association with the National Gallery of Australia, 1995.
  • Craig, Mary M. The Cape Dorset Prints, in Inuit Art, An Anthology, by Alma Houston, Watston & Dwyer Publishing, Winnipeg, 1988.
  • Crandall, Richard C. Inuit Art: A History. McFarland & Co, Jefferson, NC, 2000
  • Dawn, Leslie Allan and the Art Gallery of Greater VIctoria. The Northwest Coast Native Print: A Contemporary Tradition Comes of Age. Victoria: the Art Gallery of Greater Victoria, 1985.
  • Eichenberg, Fritz. The Art of the Print: Masterpieces, History, Techniques. New York: Harry N. Abrams Inc., 1976
  • Flight, Claude. Lino-cuts. London: John Lane, The Bodley Head, 1927.
  • Flight, Claude. Lino-cutting and Printing. London: B. T. Batsford, Ltd., 1934
  • Gascoigne, Bamber. How to Identify Prints: A complete guide to manual and mechanical processes from woodcut to ink-jet. London: Thames and Hudson, 1988.
  • Gilmore, Bernice C. Prints at the Burnaby Art Gallery, 1979. Catalogue of an exhibition at the Burnaby Art Gallery, October 24 to November 25, 1979. Burnaby: The Burnaby Art Gallery, 1979.
  • Griffiths, Antony. Prints and Printmaking: An introduction to the history and techniques. London: The British Museum Press, 2004.
  • Gustavison, Susan. Arctic Expressions: Inuit Art and the Canadian Eskimo Arts Council 1961-1989. McMichael Canadian Art Collection, Kleinburg, ON, 1994.
  • Jule, Walter, ed. Print Voice: A Publication on Printmaking. Edmonton: University of Alberta, 1983.
  • Lang, Robert, ed., et al. Contemporary Canadian Artists. Scarborough, Ontario: Gale Canada, 1997.
  • Leroux, Odette, Marion E Jackson and Minnie Aodla Freeman. Inuit Women Artists: Voices from Cape Dorset. Canadian Museum of Civilization, Ottawa, 1994.
  • Martin, Denis. L’Estampe au Quebec, 1900-1950. Quebec City: Musee du Quebec, 1988.
  • Murray, Joan. Canadian Art in the Twentieth Century. Toronto and Oxford: Dundurn Press, 1999.
  • O’Brian, John and Peter White, eds. Beyond Wilderness: The Group of Seven, Canadian Identity and Art History. Montreal and Kingston: McGill-Queen’s University Press, 2007.
  • Reid, Dennis. A Concise History of Canadian Painting, Second Edition. Don Mills, Ontario: Oxford University Press, 1988.
  • Wright, Patricia and the Art Gallery of Greater Victoria. "Ukiyo-e: Glimpses into the Floating World, 18th and 19th Century Japanese Woodblock Prints." Collections of the Art Gallery of Greater Victoria, no. 5. Victoria: the Art Gallery of Greater Victoria, ca. 1976.
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Books, Catalogues, Articles and Links: Arranged by Artist

Andrews, Sybil

  • Ackley, Clifford S., ed. Rhythms of Modern Life: British Prints 1914-1939. Boston: Museum of Fine Arts, Boston, 2007.
  • Ainslie, Patricia. “The Sybil Andrews Gift.” Glenbow Magazine, Winter issue, 1991:8-9
  • Andrews, Sybil. Artist’s Kitchen. London: R.K. Hudson, 1985.
  • Bjornson, Harrill. “Bare bones, well done.” The Vancouver Sun, August 1, 1992.
  • Coppel, Stephen. Linocuts of the machine age : Claude Flight and the Grosvenor School. Aldershot, Hants, England: Scolar Press in association with the National Gallery of Australia, 1995.
  • Laurence, Robin. “Remembering Sybil Andrews.” Canadian Art, Summer 1995: 74-79.
  • Mays, John Bentley. “Handsome linocuts honor human machine.” The Globe and Mail, July 3, 1982.
  • Tousley, Nancy. “Sybil Andrews: Vibrant linocuts bridge five decades.” The Calgary Herald, September 25, 1982.
  • White, Peter. Sybil Andrews: Colour Linocuts. Calgary: Glenbow Museum, 1982.
  • Windsor, Alan, ed. Handbook of Modern British Painting and Printmaking 1900-1990, Second Edition. Aldershot, England: Ashgate Publishing, 1998.

Ashevak, Kenojuak

  • Berlo, Jent Catherine. “The Power of the Pencil: Inuit Women in the Graphic Arts.” Inuit Art Quarterly, vol. 5, no. 1, Winter 1990:16-26.
  • Craig, Mary. “Cape Dorset Prints: 1969.” Inuit Art Quarterly, vol. 11, no. 4, Winter 1996:54-59.
  • Grussani, Linda. “Flights of Fantasy: Kenojuak and Birds.” Inuit Art Quarterly, vol. 16, no. 2, Summer 2001:36-38.
  • Inuit Art Quarterly. “People.” Vol. 10, no. 2, Summer, 1995: 48. Inuit Art Quarterly, vol. 12, no. 3, Fall 1997:18-21.
  • Kunnuk, Simeonie. “Kenojuak Ashevak: ‘I use felt pens, crayons, pencils and erasers.’” Inuit Art Quarterly, vol. 12, no. 3, Fall 1997:18-21.
  • Speak, Dorothy. “A Retrospective Look at Cape Dorset Printmaking: Commemorating the 40th Anniversary.” Inuit Art Quarterly, vol. 11, no. 4, Winter 1996:54-59.
  • Wight, Darlene Coward. “The Inuit Sea Goddess.” Inuit Art Quarterly, vol. 15, no. 2, Summer 2000:44-50.

Atkins, Caven

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Kritzwiser, Kay. “Atkins makes own heritage by meeting art’s challenge.” The Globe and Mail, November 14, 1979.
  • Tousley, Nancy. “Artist felt he had a destiny.” The Calgary Herald, September 17, 1988.

André Biéler

  • Smith, Frances K. André Biéler: An Artist’s Life and Times. Toronto: Merritt Publishing, 1980.

Bates, Maxwell

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • The Albertan. “Maxwell Bates’ Works on View.” June 17, 1961.
  • Bresky, Dushan. “Artist Who Onces Slaved in German Salt Mines Now Painting In City.” The Calgary Herald, January 23, 1953.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Learoyd, Eileen. “Artist Maxwell Bates: a man of blunt honesty.” The Victoria Daily Colonist, September 8, 1963.
  • Tousley, Nancy. “Modernist Alberta painter Maxwell Bates dies after illness.” The Calgary Herald, September 24, 1980.

Bell, Alistair

  • Bell, Alan Streatfeild and Bau-Xi Gallery. Alistair Bell: Prints, 1993-1997. Vancouver and Toronto: Bau-Xi Gallery, 1998.
  • Thom, Ian M. Alistair Bell: Prints 1935-1981. Victoria: The Art Gallery of Greater Victoria, 1982.
  • Uhthoff, Ina D. D. “Alistair Bell’s Graphics Impressive Collection.” The Victoria Colonist, April 23, 1959.

Bergman, Henry Eric

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Ayre, Robert. “Eric Bergman.” Canadian Art, Summer, 1958: 190-191,223.
  • Bergman, Norma. “H. Eric Bergman.” German Canadian Business Review, Winter, 1967:4-5.
  • Eckhardt, Ferdinand. H. Eric Bergman. Catalogue of an exhibition held November 19 to December 14, 1969. Winnipeg: Winnipeg Art Gallery, 1969.
  • Eckhardt, Ferdinand. H. Eric Bergman: Memorial Exhibition. Winnipeg: Winnipeg Art Gallery, 1960.
  • The Globe and Mail. “Bergman’s Lyricism Transcends Pretty.” May 13, 1961.

Besant, Derek

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Enright, Robert. “Show reveals new adventures in printmaking.” The Globe and Mail, October 16, 1997.

Biéler, André

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Ayre, Robert. André Biéler: Retrospective Exhibition of Work from Nineteen Twenty Five to Nineteen Sixty Tree. Catalogue of an exhibition held at The Agnes Etherington Art Centre, Kingston, Ontario, October 4 to November 3, 1963.
  • Biéler, André. Twelve Pines Press. Occassional Paper # 1. Kingston: Agnes Etherington Art Centre, Queen’s University, Ontario, 1972.
  • Downey, Donn. "Aritst preferred people to landscapes." The Globe and Mail, December 6, 1989.
  • Smith, Fraces K. André Biéler: An artist’s life and times. Toronto/Vancouver: Merritt Publishing Company Limited, ca. 1980.

Binning, B. C.

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Alsop, Kay. “The Artistic Credo of B.C. Binning.” UBC Alumni Chronicle, Summer 1973: 18-23.
  • Godfrey, Stephen. “Art that a city looks up to: B.C. Binning left his mark on Vancouver in many ways.” The Globe and Mail, January 14, 1986.

Blackwood, David

  • Corbett, Helen. “Sea is part of earliest memories... and it forms the basis of much of David Blackwood’s realistic art.” The Edmonton Journal, November 3, 1979.
  • Dambrofsky, Gwen. “Newfoundlander’s art infused with desolation and loneliness.” The Red Deer Advocate, July 11, 1987.
  • Gratten, Patricia and Michael Burtch. David Blackwood: Prints 1962-1984. Catalogue of an exhibition organized by the Art Gallery, Memorial University of Newfoundland, assisted by the Art Gallery of Algoma, 1985-86. St. John’s, Newfoundland: Memorial University Art Gallery, 1985.
  • Joyner, Brooks. “Down to the sea in pictures.” The Calgary Herald, April 8, 1979.
  • Matousek, Phylis. “Encyclopedia of a special way of life.” The Edmonton Journal, December 5, 1981.
  • Osler, Susan Alexander. “Newfoundland artist mixes memory, myth in work.” The Calgary Herald, April 21, 1987.
  • Sosnowski, Vivienne. “Prints have mystical power.” The Edmonton Journal, April 24, 1987.

Bobak, Bruno

  • Donaldson, Marjory. Woodcuts of Bruno Bobak. Pamphlet accompanying a 1965 exhibition organized by the Moncton Art Society. Moncton: Moncton Art Society, 1965.

Bradshaw, Alice

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Brandtner, Fritz

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Brender à Brandis, Gerard

  • Kritzwiser, Kay. “Publishing as a form of art: the results can be exquisite.” The Globe and Mail, February 27, 1982.
  • Mason, Roger Burford. “Engraven Images: Six Ontario artists carve lyrical lines in the ancient craft of wood-block printing.” Ontario Craft, Volume 14, Number 3, September 1989: 22-24.

Buller, Cecil

  • Ainslie, Patricia. Cecil Buller: Modernist Printmaker/Graveur Moderniste. Calgary: Glenbow Museum, 1989.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Fletcher, John Gould. “The Woodcuts of Cecil Buller.” The Print Collector’s Quarterly, vol. 17, no. 1, January 1930: 93-105.

Carmichael, Franklin

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Casson, Alfred Joseph

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Comfort, Charles

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Derouin, René

  • Ainslie, Patricia. Frontiers, Frontières, Fronteras: René Derouin. Calgary: Glenbow Museum, 1998.
  • Ainslie, Patricia. “Print, plate and clay: the graphic of René Derouin.” Printmaking Today, vol. 6, no. 3, 1997: 10-11.
  • Baster, Victoria. “The Woodcuts of René Derouin.” In Jule, Walter, ed. Print Voice: A Publication on Printmaking. Edmonton: University of Alberta, 1983.
  • Charest, Rémy. “La vie est un long fleuve tranquille.” Le Devoir, July 9/10, 1994.
  • Derouin, René. L’espace et la densité: entretiens avec Michel-Pierre Sarrazin. Montréal: Éditions de l’Hexagone, 1993.
  • Kritzwiser, Kay. “Quebec printmaker flies high for works as big as all outdoors.” The Globe and Mail, October 15, 1981.
  • McArthur, Kerry. “Derouin overwhelming.” The Calgary Sun, October 23, 1981.
  • Sabbath, Lawrence. “A Montrealer’s haunting images.” The Montreal Gazette, October 4, 1986.

Dickson, Jennifer

  • Farr, Dorothy. Jennifer Dickson. Catalogue of an exhibition held March 9-May 4, 1986 at the Agnes Etherington Art Centre. Kingston: Agnes Etherington Art Centre, 1986.

Eggermont, Marjan

  • Malec, Jacek. “Marjan Eggermont: Beyond Printmaking.” Galleries West, Fall/Winter 2005: 39-40.

Esler, John Kenneth

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Eckhardt, Ferdinand and the Winnipeg Art Gallery. Experimental Prints by John K. Esler, 1964. Winnipeg: The Winnipeg Art Gallery, 1964.
  • Esler, John Kenneth. Letter from Esler to Patricia Ainslie at the Glenbow Museum, February 16, 1988. In Glenbow’s Source Files.
  • Ford, Susan. 35 Years and 15 Minutes: Prints by John Kenneth Esler. Calgary: The Nickle Arts Museum, 1994.
  • Harris, Beverly. “Landscape and Form: An Interview with John K. Esler.” Dandelion, vol. 11, no. 1, Spring/Summer 1984: 16-25.
  • Humphreys, Cecilia. “Travel important says printmaker.” The Albertan, June 24, 1967.
  • Tivy, Patrick. “International reputations rooted in local landscape.” The Calgary Herald, August 1, 1977.
  • Woodford, Wendy. “Art and teaching always go hand in hand.” The Albertan, October 25, 1969.

Fanshaw, Hubert Valentine

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

FitzGerald, Lionel Lemoine

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Foster, Velma

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Glyde, Henry George

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Haeseker, Alexandra

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Hahn, Sylvia

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Haines, Frederick Stanely

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Comfort, Charles C. Fred S. Haines 1879-1960: Memorial Exhibition. Catalogue of an exhibition held at the Art Gallery of Toronto, November 1961.
  • Hoover, Dorothy. “My Father at O.C.A.” Alumnus: Ontario College of Art Alumni Association, Winter 1984-1985, unpaginated.

Holgate, Edwin

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Holgate, Edwin H. “Some Comments on Wood Engraving in Canada.” McGill News, Montreal, March 1933: 25-26.

Hughes, Edward John

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Hutchinson, Leonard

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Brown, Lynn Hutchinson. Leonard Hutchinson, People’s Artist: Ten years of struggle, 1930-1940. Toronto: NC Press, 1975.
  • Inglis, Grace. Leonard Hutchinson RCA, 1896-1980: An Artist of His Times. Hamilton: The Art Gallery of Hamilton, 1998.
  • Lord, Barry. “Hamilton’s rebel artist.” The Hamilton Spectator, July 20, 1974.
  • The Hamilton Spectator. “Rebel artist dies at age 84.” May 9, 1980.
  • Underwood, Harry. “Leonard Hutchinson: The Political Institution of the Artist.” The Canadian Forum, vol. LVII, no. 678, February 1978:15-17.

Hyde, Laurence

  • Ainslie, Patricia. The Wood Engravings of Laurence Hyde. Calgary: Glenbow Museum, 1986.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Ainslie, Patricia, and Alan Horne. “Laurence Hyde: An Interview.” The Devil’s Artisan 21, 1987: 4-28.
  • Ainslie, Patricia, and Alan Horne. “Laurence Hyde: An Interview; Part II.” The Devil’s Artisan 22, 1988: 4-30.
  • Tousley, Nancy. “Wood engravings wordless stories.” The Calgary Herald, June 5, 1986.

Ingram, Liz

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Enright, Robert. “Show reveals new adventures in printmaking.” The Globe and Mail, October 16, 1997.

Jones, John

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Jones, Kent

  • Akron Beacon Journal. “Enjoy it without explanation.” October 11, 1998.
  • Bonnell, Kip. “Style, imagery and artistic inspiration.” The Muse, St. John’s, Newfoundland, October 24, 1997.
  • Hickey, Gloria. “Kent Jones: Paintings and Drawings.” Exhibition review in ARTSatlantic 60, Spring 1998: 14-15.
  • Smith, David. “Sense of ‘old scrapbooks’ in artist’s materials.” The Alliance Review, Alliance, Ohio, February 4, 1999.
  • Steffler, John. “Kent Jones: Paintings and Drawings.” Exhibition review in ARTSatlantic 52, Spring/Summer 1995: 6.

Jule, Walter

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Kerr, Illingworth Holey

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Laing, William

  • Ainslie, Patricia. “William Laing: a journey.” Printmaking Today, vol. 7, no.1, 1998:14-15.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Mara, Tim, Paul Woodrow and the Nickle Arts Museum. William Laing: a journey. Catalogue of an exhibition held at the Nickle Arts Museum February 28-April 20, 1997. Calgary: the Nickle Arts Museum at the University of Calgary, 1997.
  • Perry, Art. “Intriguing world of fleeting moments.” The Province, November 17, 1975.
  • Tousely, Nancy. “Laing’s journey was diverse.” The Calgary Herald, April 12, 1997.
  • Tousely, Nancy. “Artist shares studio for his painting days.” The Calgary Herald, June 29, 1986.
  • Tousely, Nancy. “Etchings at core of strong exhibition.” The Calgary Herald, March 29, 1985.
  • Walton, Mark. “The loneliness of the long distance printmaker.” FFWD, April 17-23, 1997.

Leighton, Alfred Crocker

  • Render, Lorne E. A. C. Leighton. Calgary: Glenbow Alberta Institute, 1971.

Leighton, Clare

  • Fletcher, William Dolan. Clare Leighton, an Exhibition: …American Sheaves, English Seed Corn… Boston: The Boston Public Library, no date.

Leighton, Barbara Mary

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Coady, Vince. “Artist’s widow paints bright future for art.” The Edmonton Journal, April 22, 1982.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • MacEwan, Grant. “Leighton Centre gives creativity chance to grow.” The Calgary Herald, June 7, 1982.
  • Zwarun, Suzanne. “Barbara Leighton left behind legacy of living art.” The Calgary Herald, May 5, 1986.
  • Zwarun, Suzanne. “Around the town…” The Calgary Herald, June 20, 1970.

Lindner, Ernest

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Jaffe, Ingrid. “Ernest Lindner turns from nature themes to human forms.” The Saskatoon Star-Phoenix, February 11, 1972.
  • Climer, J.E. and the Saskatoon Gallery and Conservatory Corporation. E. Lindner: In Retrospect, The Years 1963-1977. Catalogue of an exhibition held at the Medel Art Gallery, Saskatoon, May 1977, and at the Winnipeg Art Gallery, Winnipeg, June 1977. Saskatoon: the Saskatoon Gallery and Conservation Corporation, 1977.
  • Severson, Anne. “Savage love of a national movement.” FFWD, April 2-8, 1998.

Mackie, Dora Helen

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Geary, John. “Helen Mackie: Art & Science.” Where Calgary, Gallery Guide Summer 2001: 9-11.

May, Margaret

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Jodoin, André and the Southern Alberta Art Gallery. Margaret May: All and Nothing. Catalogue of an exhibition held March 17 to April 22, 1990. Lethbridge: Southern Alberta Art Gallery, 1990.
  • Lethbridge Herald. “Color prints, sculpture part of new exhibition at gallery.” June 27, 1990.
  • Severson, Anne. “Artist exhibits mystical transformation.” The University of Calgary Gazette, February 20, 1996.
  • Tousley, Nancy. “New work mixes all and nothing.” Globe and Mail, February 17, 1996.
  • Tousley, Nancy. “Show’s thesis never explained.” Calgary Herald, July 22, 1994.
  • Tousley, Nancy. “Time Travel: Retrospective exhibition takes you back through an artist’s mind.” Calgary Herald, February 17, 1996.
  • Tousley, Nancy and the Whyte Museum of the Canadian Rockies. Structures of Clarity: Prints by Margaret May. Catalogue of an exhibition held at the Whyte Museum of the Canadian Rockies, Banff, February 24-April 5, 1987.
  • Tousely, Nancy. “Boldly graphic prints created in airy studio.” The Calgary Herald, August 17, 1986.

McKeough, Rita

  • Southern Alberta Art Gallery. Rita McKeough: Graphic Works. Catalogue of an exhibition held May 4-June 2, 1985. Lethbridge: Southern Alberta Art Gallery, 1985.

McLaren, John Wilson

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Nicoll, James McLaren

  • Nicoll, Jim. The Poetry and Prose of Jim Nicoll. Calgary: Sandstone Publishing Ltd., 1980.

Nicoll, James McLaren

  • Laviolette, Mary-Beth. An Alberta Art Chronicle: adventures in recent & contemporary art. Canmore, Alberta: Altitude Publishing Canada Ltd., 2006.
  • Nicoll, James McLaren. The Poetry and Prose of Jim Nicoll. Calgary: Sandstone Publishing Ltd., 1980.

Nicoll, Marion

  • Ainslie, Patricia and Mary-Beth Laviolette. Alberta Art and Artists: An Overview. Brighton, MA: Fifth House Ltd., 2007.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Jackson, Christopher. Marion Nicoll: Art and Influences. Calgary: Glenbow Museum, 1986.
  • Laviolette, Mary-Beth. An Alberta Art Chronicle: adventures in recent & contemporary art. Canmore, Alberta: Altitude Publishing Canada Ltd., 2006.
  • The Edmonton Art Gallery. Marion Nicoll: A Retrospective 1959-1971. Edmonton: The Art Gallery of Edmonton, 1975.

Osborne, Lyndal

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Beauchamp, Elizabeth. “Late blooming artist reaches wide audience.” The Edmonton Journal, April 19, 1990.
  • Boulet, Roger H. and the Edmonton Art Gallery. Lyndal Osborne: Songs of the Stone. Catalogue of an exhibition held March 24-May 6, 1990. Edmonton: the Edmonton Art Gallery, 1990.
  • Enright, Robert. “Show reveals new adventures in printmaking.” The Globe and Mail, October 16, 1997.
  • Muskal, Helen. “Visual Images from Childhood.” The Edmonton Journal, February 20, 1988.

Panton, Lawrence Arthur Colley

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Pepper, George

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Phillips, Walter Joseph

  • Ainslie, Patricia and Mary-Beth Laviolette. Alberta Art and Artists: An Overview. Brighton, MA: Fifth House Ltd., 2007.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Allison, Carlyle. “W. J. Phillips: artist and teacher.” The Beaver, Winter 1969:5-13.
  • Biner, Mary. “Personality of the Week: Mrs. John (Lois) Duffin.” Calgary Herald Magazine, March 6, 1970.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Gribbon, Michael J. Walter J. Phillips: A Selection of His Works and Thoughts. Ottawa: the National Gallery of Canada, 1978.
  • Murray, Joan. Canadian Art in the Twentieth Century. Toronto and Oxford: Dundurn Press, 1999.
  • O’Brian, John and Peter White, eds. Beyond Wilderness: The Group of Seven, Canadian Identity and Art History. Montreal and Kingston: McGill-Queen’s University Press, 2007.
  • Phillips, David. “W. J. Phillips: Printmaking as Regional Expression.” Artmagazine, March/April 1977: 6-9.
  • Phillips, Walter Joseph. Winter Wood-Cuts. Toronto: Thomas Nelson and Sons Ltd., 1936.
  • Phillips, Walter Joseph. An Essay in Wood-Cuts, With a Monography by Marius Barbeau. Toronto: Thomas Nelson and Sons Ltd., 1930.
  • Phillips, Walter Joseph. The Canadian Scene: Seven Colour Prints and a Dissertation by Walter J. Phillips, A.R.C.A., with an Introduction by Martin Hardy, R.I., R.E. Toronto: Thomas Nelson and Sons Ltd., 1928.
  • Phillips, Walter Joseph. Ten Canadian Colour Prints, With an Introduction by Duncan Campbell Scott. Toronto: Thomas Nelson and Sons Ltd., 1927.
  • Phillips, Walter Joseph. Technique of the Colour Woodcut. New York: Brown-Robertson, 1926.
  • Phillips, Walter Joseph. “Art and Artists,” Winnipeg Tribune, October 30, 1926.
  • Reid, Dennis. A Concise History of Canadian Painting, Second Edition. Don Mills, Ontario: Oxford University Press, 1988.
  • Tippett, Maria and Douglas Cole. Phillips in Print: The Selected Writings of Walter J. Phillips on Canadian Nature and Art. Winnipeg: The Manitoba Record Society, 1982.

Robinson, Clifford

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Brennan, Brian. “Artist went ‘round world – but carved niche in city.” The Calgary Herald, October 21, 1992.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Curtis, Linda. “He Learned Greek – the Hard Way.” The Albertan, August 30, 1962.
  • Reid, Eva. “Eavesdrop… with Eva Reid: Clifford Robinson.” The Albertan, June 15, 1970.

Sawai, Noboru

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Dompierre, Louise and C. E. S. Franks. Songs of Spring: Noboru Sawai 1972-84. Kingston, Ontario: Agnes Etherington Art Centre, 1984.
  • Hogg, Carol. “Sexually explicit picture removed from Glenbow.” The Calgary Herald, November 23, 1974.
  • Hogg, Carol. “Censored picture bought by London, Ont, Museum.” The Calgary Herald, November 23, 1974.
  • Joyner, Brooks. “Artist shows Sawai-faire.” The Albertan, April 29, 1979.
  • Kozinska, Dorota. “Prints exude a rare sensuality.” The Gazette, Montreal, November 29, 1997.
  • Littman, Sol. “This erotic art’s a must.” Toronto Sunday Star, April 2, 1979
  • MacGregor, Ron. “This art show offers variety of interests, styles.” The Edmonton Journal, February 9, 1974.
  • Tousley, Nancy. “Opposites explored in garden of delights.” The Calgary Herald, February 18, 1994.
  • Ylitalo, Katherine. A Garden of Delights: 25 Years of Prints by Noboru Sawai. Calgary: The Nickle Arts Museum, 1994

Schaefer, Carl Fellman

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Oko, Andrew J. and the Art Gallery of Hamilton. The Prints of Carl Schaefer. Reprinted from RACAR, vol. x, no. 2, 1983:171-198.

Shelton, Margaret

  • Ainslie, Patricia. Margaret Shelton: Block Prints, 1936-1984. Calgary: Glenbow Museum, c. 1986
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Curtis, Linda. “Margaret’s down to earth.” The Albertan, March 2, 1974.
  • Joyner, Brooks. “And the list grows longer.” The Calgary Herald, February 4, 1979.
  • Tousley, Nancy. “Isolation plagued prolific Alberta artist.” The Calgary Herald, February 19, 1986.
  • Tousley, Nancy. “Block prints by Shelton on display.” The Calgary Herald, February 22, 1985.

Smith, James Agrell

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Liddell, Ken. “Character captured on wood engravings.” The Calgary Herald, November 26, 1954.
  • van Luven, Lynne. “Depicts prairie images in paintings, woodcuts.” The Red Deer Advocate, November 5, 1970.
  • Zemanek, Rick. “Christmas treats at museum.” The Red Deer Advocate, December 8, 1973.

Snow, John

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Joslin, Mark. John Snow: Four Decades. Catalogue of an exhibition at the Edmonton Art Gallery, November 11, 1989 – January 14, 1990. Edmonton: The Edmonton Art Gallery, 1990.
  • McLean, Helen. “Snow’s prints go international.” The Albertan, August 8, 1970.
  • Orford, Emily-Jane. “John Snow: Artist’s colour lithographs deceptively simplistic.” Western People, August 1, 1985.
  • The Albertan. “Lithography alive in John Snow’s art.” July 22, 1961.
  • The Calgary Hearld. “Artist-banker had no trouble balancing his interest.” April 22, 1984.

Stevenson, William Lewy Leroy

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Tanabe, Takao

  • Thom, Ian M., Roald Nasgaard, Nancy Tousely and Jeffrey Spalding. Takao Tanabe. Vancouver and Toronto: Douglas & McIntyre, 2005.

Warrener, Lowrie Lyle

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Webb, Ken

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Tousley, Nancy. “Etcher’s expertise shines in show.” The Calgary Herald, July 26, 1986.
  • Tousley, Nancy. “Artist creates classical fantasy in paintings.” The Calgary Herald, May 25, 1986.
  • Tousley, Nancy. “Calgary printmaker really an artist of many talents.” The Calgary Herald, June 2, 1983.

Webber, George

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Westergard, James

  • Rickard, D’Arcy. “Red Deer artist to create illusions in his work.” The Red Deer Advocate, June 13, 1980.
  • Tousley, Nancy. “Visual Arts.” The Calgary Herald, June 7, 1979.

Will, John

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Joyner, Brooks. “Will’s lithos can be elusive.” The Calgary Herald, April 22, 1979
  • MacGregor, Ron. “This art show offers variety of interests, styles.” The Edmonton Journal, February 9, 1974.
  • McConnell, Clyde. John Will/Marvin Jones, catalogue of an exhibition held at Glenbow Museum, July 25-June 20, 1975.
  • McDougall, Arthur. “Art works differ in style, intent.” The Lethbridge Herald, January 14, 1981
  • Spalding, Jeffrey J. and John Will. John Will: A catalogue of the complete graphic works to date published on the occasion of an exhibition of his prints at the Glenbow Museum, April 2- June 22, 1980. Calgary: Glenbow Alberta Institute, 1980.
  • Tousley, Nancy. “Artist’s work covers contemporary art world.” The Calgary Herald, September 15, 1986.
  • Tousley, Nancy. “Artworks link cities across the nation.” The Calgary Herald, September 29, 1983.
  • Tousley, Nancy. “Humourous Calgary lithographer sends witty darts into the local arts scene.” The Calgary Herald, January 10, 1980.

Wrinch, Mary Evelyn

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
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Unpublished Resources

  • Andrews, Sybil and Cyril E. Power. Aims of Art Today. Unpublished manuscript, 1924. Copy located in the Glenbow Archives, M-8411-124.
  • Atkins, Caven. Letter from Atkins to Patricia Ainslie at the Glenbow Museum, May 8, 1984. In Glenbow’s Source Files.
  • Askren, Patricia. Personal correspondence with the author, May 27, 2008.
  • Brender à Brandis, Gerard. Artist’s statement in Glenbow artist’s file.
  • Esler, John Kenneth. Letter from Esler to Patricia Ainslie at the Glenbow Museum, February 16, 1988. In Glenbow’s Source Files.
  • Shelton, Margaret. Undated autobiographical sketch. In Glenbow’s Artist File.
  • Transcript of an interview between Sean Murphy and Patricia Ainslie, September 19, 1987, concerning Cecil Buller. In Glenbow’s Artist File.
  • Transcript of an interview between Alistair Bell and Dorothy Metcalfe of the Vancouver Art Gallery, May 28, 1974. In Glenbow’s Artist file.
  • Andrews, Sybil and Cyril E. Power. Aims of Art Today. Unpublished manuscript, 1924. Copy located in the Glenbow Archives, M-8411-124.
  • Will, John. Personal correspondence with the author, May 16, 2008.
  • Will, John. Unpublished lecture notes in Glenbow artist’s file, ca. 1980.
  • Bell, Alan. Personal correspondence with the author concerning Alistair Bell, March 19, 2008.
  • Jones, Kent. Personal correspondence with the author, June 5, 2008
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Useful Web Resources: General

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Web Resources for Specific Artists

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Instructor Resources - Impress: Prints, Artists and Ideas | Glenbow Impress

Instructor Resources


Bibliography

Books General

  • Ackley, Clifford S., ed. Rhythms of Modern Life: British Prints 1914-1939. Boston: Museum of Fine Arts, Boston, 2007.
  • Ainslie, Patricia and Mary-Beth Laviolette. Alberta Art and Artists: An Overview. Brighton, MA: Fifth House Ltd., 2007.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Amos, Robert and the Art Gallery of Greater Victoria. The Canadian Block Print: Woodcuts, Linocuts, Stonecuts and Wood Engravings. Collections of the Art Gallery of Greater Victoria, no. 9. Victoria: the Art Gallery of Greater Victoria, ca. 1979.
  • The Art Gallery of Greater Victoria. Printmaking in British Columbia 1889-1983. Catalogue of an exhibition held at the Art Gallery of Greater Victoria, October 6 to November 27, 1983. Victoria: the Art Gallery of Greater Victoria, 1983.
  • Barz, Sandra B. Inuit Artists Print Workbook. Vol. I, II, III. New York: Arts & Culture of the North, 1981, 1999 and 2004.
  • Bennet, John and Susan Rowley. Uqalurait: An Oral History of Nunavut. McGill-Queen’s University Press, 2004.
  • Blodgett, Jean, with Heather Ardies, Leslie Boyd and Linda Sutherland. In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking. Kleinburg, Ontario: The McMichael Canadian Art Collection, 1991.
  • Braby, Dorothea. The Way of Wood Engraving. London and New York: The Studio Publications, 1953.
  • Brett, Simon. Wood Engraving: how to do it. Swavesey, Cambridge: Silent Books, 1994.
  • Buckland-Wright, John. Etching and Engraving: Techniques and the Modern Trend. London: The Studio Limited, 1953.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Coppel, Stephen. Linocuts of the machine age : Claude Flight and the Grosvenor School. Aldershot, Hants, England: Scolar Press in association with the National Gallery of Australia, 1995.
  • Craig, Mary M. The Cape Dorset Prints, in Inuit Art, An Anthology, by Alma Houston, Watston & Dwyer Publishing, Winnipeg, 1988.
  • Crandall, Richard C. Inuit Art: A History. McFarland & Co, Jefferson, NC, 2000
  • Dawn, Leslie Allan and the Art Gallery of Greater VIctoria. The Northwest Coast Native Print: A Contemporary Tradition Comes of Age. Victoria: the Art Gallery of Greater Victoria, 1985.
  • Eichenberg, Fritz. The Art of the Print: Masterpieces, History, Techniques. New York: Harry N. Abrams Inc., 1976
  • Flight, Claude. Lino-cuts. London: John Lane, The Bodley Head, 1927.
  • Flight, Claude. Lino-cutting and Printing. London: B. T. Batsford, Ltd., 1934
  • Gascoigne, Bamber. How to Identify Prints: A complete guide to manual and mechanical processes from woodcut to ink-jet. London: Thames and Hudson, 1988.
  • Gilmore, Bernice C. Prints at the Burnaby Art Gallery, 1979. Catalogue of an exhibition at the Burnaby Art Gallery, October 24 to November 25, 1979. Burnaby: The Burnaby Art Gallery, 1979.
  • Griffiths, Antony. Prints and Printmaking: An introduction to the history and techniques. London: The British Museum Press, 2004.
  • Gustavison, Susan. Arctic Expressions: Inuit Art and the Canadian Eskimo Arts Council 1961-1989. McMichael Canadian Art Collection, Kleinburg, ON, 1994.
  • Jule, Walter, ed. Print Voice: A Publication on Printmaking. Edmonton: University of Alberta, 1983.
  • Lang, Robert, ed., et al. Contemporary Canadian Artists. Scarborough, Ontario: Gale Canada, 1997.
  • Leroux, Odette, Marion E Jackson and Minnie Aodla Freeman. Inuit Women Artists: Voices from Cape Dorset. Canadian Museum of Civilization, Ottawa, 1994.
  • Martin, Denis. L’Estampe au Quebec, 1900-1950. Quebec City: Musee du Quebec, 1988.
  • Murray, Joan. Canadian Art in the Twentieth Century. Toronto and Oxford: Dundurn Press, 1999.
  • O’Brian, John and Peter White, eds. Beyond Wilderness: The Group of Seven, Canadian Identity and Art History. Montreal and Kingston: McGill-Queen’s University Press, 2007.
  • Reid, Dennis. A Concise History of Canadian Painting, Second Edition. Don Mills, Ontario: Oxford University Press, 1988.
  • Wright, Patricia and the Art Gallery of Greater Victoria. "Ukiyo-e: Glimpses into the Floating World, 18th and 19th Century Japanese Woodblock Prints." Collections of the Art Gallery of Greater Victoria, no. 5. Victoria: the Art Gallery of Greater Victoria, ca. 1976.
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Books, Catalogues, Articles and Links: Arranged by Artist

Andrews, Sybil

  • Ackley, Clifford S., ed. Rhythms of Modern Life: British Prints 1914-1939. Boston: Museum of Fine Arts, Boston, 2007.
  • Ainslie, Patricia. “The Sybil Andrews Gift.” Glenbow Magazine, Winter issue, 1991:8-9
  • Andrews, Sybil. Artist’s Kitchen. London: R.K. Hudson, 1985.
  • Bjornson, Harrill. “Bare bones, well done.” The Vancouver Sun, August 1, 1992.
  • Coppel, Stephen. Linocuts of the machine age : Claude Flight and the Grosvenor School. Aldershot, Hants, England: Scolar Press in association with the National Gallery of Australia, 1995.
  • Laurence, Robin. “Remembering Sybil Andrews.” Canadian Art, Summer 1995: 74-79.
  • Mays, John Bentley. “Handsome linocuts honor human machine.” The Globe and Mail, July 3, 1982.
  • Tousley, Nancy. “Sybil Andrews: Vibrant linocuts bridge five decades.” The Calgary Herald, September 25, 1982.
  • White, Peter. Sybil Andrews: Colour Linocuts. Calgary: Glenbow Museum, 1982.
  • Windsor, Alan, ed. Handbook of Modern British Painting and Printmaking 1900-1990, Second Edition. Aldershot, England: Ashgate Publishing, 1998.

Ashevak, Kenojuak

  • Berlo, Jent Catherine. “The Power of the Pencil: Inuit Women in the Graphic Arts.” Inuit Art Quarterly, vol. 5, no. 1, Winter 1990:16-26.
  • Craig, Mary. “Cape Dorset Prints: 1969.” Inuit Art Quarterly, vol. 11, no. 4, Winter 1996:54-59.
  • Grussani, Linda. “Flights of Fantasy: Kenojuak and Birds.” Inuit Art Quarterly, vol. 16, no. 2, Summer 2001:36-38.
  • Inuit Art Quarterly. “People.” Vol. 10, no. 2, Summer, 1995: 48. Inuit Art Quarterly, vol. 12, no. 3, Fall 1997:18-21.
  • Kunnuk, Simeonie. “Kenojuak Ashevak: ‘I use felt pens, crayons, pencils and erasers.’” Inuit Art Quarterly, vol. 12, no. 3, Fall 1997:18-21.
  • Speak, Dorothy. “A Retrospective Look at Cape Dorset Printmaking: Commemorating the 40th Anniversary.” Inuit Art Quarterly, vol. 11, no. 4, Winter 1996:54-59.
  • Wight, Darlene Coward. “The Inuit Sea Goddess.” Inuit Art Quarterly, vol. 15, no. 2, Summer 2000:44-50.

Atkins, Caven

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Kritzwiser, Kay. “Atkins makes own heritage by meeting art’s challenge.” The Globe and Mail, November 14, 1979.
  • Tousley, Nancy. “Artist felt he had a destiny.” The Calgary Herald, September 17, 1988.

André Biéler

  • Smith, Frances K. André Biéler: An Artist’s Life and Times. Toronto: Merritt Publishing, 1980.

Bates, Maxwell

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • The Albertan. “Maxwell Bates’ Works on View.” June 17, 1961.
  • Bresky, Dushan. “Artist Who Onces Slaved in German Salt Mines Now Painting In City.” The Calgary Herald, January 23, 1953.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Learoyd, Eileen. “Artist Maxwell Bates: a man of blunt honesty.” The Victoria Daily Colonist, September 8, 1963.
  • Tousley, Nancy. “Modernist Alberta painter Maxwell Bates dies after illness.” The Calgary Herald, September 24, 1980.

Bell, Alistair

  • Bell, Alan Streatfeild and Bau-Xi Gallery. Alistair Bell: Prints, 1993-1997. Vancouver and Toronto: Bau-Xi Gallery, 1998.
  • Thom, Ian M. Alistair Bell: Prints 1935-1981. Victoria: The Art Gallery of Greater Victoria, 1982.
  • Uhthoff, Ina D. D. “Alistair Bell’s Graphics Impressive Collection.” The Victoria Colonist, April 23, 1959.

Bergman, Henry Eric

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Ayre, Robert. “Eric Bergman.” Canadian Art, Summer, 1958: 190-191,223.
  • Bergman, Norma. “H. Eric Bergman.” German Canadian Business Review, Winter, 1967:4-5.
  • Eckhardt, Ferdinand. H. Eric Bergman. Catalogue of an exhibition held November 19 to December 14, 1969. Winnipeg: Winnipeg Art Gallery, 1969.
  • Eckhardt, Ferdinand. H. Eric Bergman: Memorial Exhibition. Winnipeg: Winnipeg Art Gallery, 1960.
  • The Globe and Mail. “Bergman’s Lyricism Transcends Pretty.” May 13, 1961.

Besant, Derek

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Enright, Robert. “Show reveals new adventures in printmaking.” The Globe and Mail, October 16, 1997.

Biéler, André

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Ayre, Robert. André Biéler: Retrospective Exhibition of Work from Nineteen Twenty Five to Nineteen Sixty Tree. Catalogue of an exhibition held at The Agnes Etherington Art Centre, Kingston, Ontario, October 4 to November 3, 1963.
  • Biéler, André. Twelve Pines Press. Occassional Paper # 1. Kingston: Agnes Etherington Art Centre, Queen’s University, Ontario, 1972.
  • Downey, Donn. "Aritst preferred people to landscapes." The Globe and Mail, December 6, 1989.
  • Smith, Fraces K. André Biéler: An artist’s life and times. Toronto/Vancouver: Merritt Publishing Company Limited, ca. 1980.

Binning, B. C.

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Alsop, Kay. “The Artistic Credo of B.C. Binning.” UBC Alumni Chronicle, Summer 1973: 18-23.
  • Godfrey, Stephen. “Art that a city looks up to: B.C. Binning left his mark on Vancouver in many ways.” The Globe and Mail, January 14, 1986.

Blackwood, David

  • Corbett, Helen. “Sea is part of earliest memories... and it forms the basis of much of David Blackwood’s realistic art.” The Edmonton Journal, November 3, 1979.
  • Dambrofsky, Gwen. “Newfoundlander’s art infused with desolation and loneliness.” The Red Deer Advocate, July 11, 1987.
  • Gratten, Patricia and Michael Burtch. David Blackwood: Prints 1962-1984. Catalogue of an exhibition organized by the Art Gallery, Memorial University of Newfoundland, assisted by the Art Gallery of Algoma, 1985-86. St. John’s, Newfoundland: Memorial University Art Gallery, 1985.
  • Joyner, Brooks. “Down to the sea in pictures.” The Calgary Herald, April 8, 1979.
  • Matousek, Phylis. “Encyclopedia of a special way of life.” The Edmonton Journal, December 5, 1981.
  • Osler, Susan Alexander. “Newfoundland artist mixes memory, myth in work.” The Calgary Herald, April 21, 1987.
  • Sosnowski, Vivienne. “Prints have mystical power.” The Edmonton Journal, April 24, 1987.

Bobak, Bruno

  • Donaldson, Marjory. Woodcuts of Bruno Bobak. Pamphlet accompanying a 1965 exhibition organized by the Moncton Art Society. Moncton: Moncton Art Society, 1965.

Bradshaw, Alice

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Brandtner, Fritz

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Brender à Brandis, Gerard

  • Kritzwiser, Kay. “Publishing as a form of art: the results can be exquisite.” The Globe and Mail, February 27, 1982.
  • Mason, Roger Burford. “Engraven Images: Six Ontario artists carve lyrical lines in the ancient craft of wood-block printing.” Ontario Craft, Volume 14, Number 3, September 1989: 22-24.

Buller, Cecil

  • Ainslie, Patricia. Cecil Buller: Modernist Printmaker/Graveur Moderniste. Calgary: Glenbow Museum, 1989.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Fletcher, John Gould. “The Woodcuts of Cecil Buller.” The Print Collector’s Quarterly, vol. 17, no. 1, January 1930: 93-105.

Carmichael, Franklin

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Casson, Alfred Joseph

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Comfort, Charles

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Derouin, René

  • Ainslie, Patricia. Frontiers, Frontières, Fronteras: René Derouin. Calgary: Glenbow Museum, 1998.
  • Ainslie, Patricia. “Print, plate and clay: the graphic of René Derouin.” Printmaking Today, vol. 6, no. 3, 1997: 10-11.
  • Baster, Victoria. “The Woodcuts of René Derouin.” In Jule, Walter, ed. Print Voice: A Publication on Printmaking. Edmonton: University of Alberta, 1983.
  • Charest, Rémy. “La vie est un long fleuve tranquille.” Le Devoir, July 9/10, 1994.
  • Derouin, René. L’espace et la densité: entretiens avec Michel-Pierre Sarrazin. Montréal: Éditions de l’Hexagone, 1993.
  • Kritzwiser, Kay. “Quebec printmaker flies high for works as big as all outdoors.” The Globe and Mail, October 15, 1981.
  • McArthur, Kerry. “Derouin overwhelming.” The Calgary Sun, October 23, 1981.
  • Sabbath, Lawrence. “A Montrealer’s haunting images.” The Montreal Gazette, October 4, 1986.

Dickson, Jennifer

  • Farr, Dorothy. Jennifer Dickson. Catalogue of an exhibition held March 9-May 4, 1986 at the Agnes Etherington Art Centre. Kingston: Agnes Etherington Art Centre, 1986.

Eggermont, Marjan

  • Malec, Jacek. “Marjan Eggermont: Beyond Printmaking.” Galleries West, Fall/Winter 2005: 39-40.

Esler, John Kenneth

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Eckhardt, Ferdinand and the Winnipeg Art Gallery. Experimental Prints by John K. Esler, 1964. Winnipeg: The Winnipeg Art Gallery, 1964.
  • Esler, John Kenneth. Letter from Esler to Patricia Ainslie at the Glenbow Museum, February 16, 1988. In Glenbow’s Source Files.
  • Ford, Susan. 35 Years and 15 Minutes: Prints by John Kenneth Esler. Calgary: The Nickle Arts Museum, 1994.
  • Harris, Beverly. “Landscape and Form: An Interview with John K. Esler.” Dandelion, vol. 11, no. 1, Spring/Summer 1984: 16-25.
  • Humphreys, Cecilia. “Travel important says printmaker.” The Albertan, June 24, 1967.
  • Tivy, Patrick. “International reputations rooted in local landscape.” The Calgary Herald, August 1, 1977.
  • Woodford, Wendy. “Art and teaching always go hand in hand.” The Albertan, October 25, 1969.

Fanshaw, Hubert Valentine

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

FitzGerald, Lionel Lemoine

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Foster, Velma

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Glyde, Henry George

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Haeseker, Alexandra

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Hahn, Sylvia

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Haines, Frederick Stanely

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Comfort, Charles C. Fred S. Haines 1879-1960: Memorial Exhibition. Catalogue of an exhibition held at the Art Gallery of Toronto, November 1961.
  • Hoover, Dorothy. “My Father at O.C.A.” Alumnus: Ontario College of Art Alumni Association, Winter 1984-1985, unpaginated.

Holgate, Edwin

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Holgate, Edwin H. “Some Comments on Wood Engraving in Canada.” McGill News, Montreal, March 1933: 25-26.

Hughes, Edward John

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Hutchinson, Leonard

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Brown, Lynn Hutchinson. Leonard Hutchinson, People’s Artist: Ten years of struggle, 1930-1940. Toronto: NC Press, 1975.
  • Inglis, Grace. Leonard Hutchinson RCA, 1896-1980: An Artist of His Times. Hamilton: The Art Gallery of Hamilton, 1998.
  • Lord, Barry. “Hamilton’s rebel artist.” The Hamilton Spectator, July 20, 1974.
  • The Hamilton Spectator. “Rebel artist dies at age 84.” May 9, 1980.
  • Underwood, Harry. “Leonard Hutchinson: The Political Institution of the Artist.” The Canadian Forum, vol. LVII, no. 678, February 1978:15-17.

Hyde, Laurence

  • Ainslie, Patricia. The Wood Engravings of Laurence Hyde. Calgary: Glenbow Museum, 1986.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Ainslie, Patricia, and Alan Horne. “Laurence Hyde: An Interview.” The Devil’s Artisan 21, 1987: 4-28.
  • Ainslie, Patricia, and Alan Horne. “Laurence Hyde: An Interview; Part II.” The Devil’s Artisan 22, 1988: 4-30.
  • Tousley, Nancy. “Wood engravings wordless stories.” The Calgary Herald, June 5, 1986.

Ingram, Liz

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Enright, Robert. “Show reveals new adventures in printmaking.” The Globe and Mail, October 16, 1997.

Jones, John

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Jones, Kent

  • Akron Beacon Journal. “Enjoy it without explanation.” October 11, 1998.
  • Bonnell, Kip. “Style, imagery and artistic inspiration.” The Muse, St. John’s, Newfoundland, October 24, 1997.
  • Hickey, Gloria. “Kent Jones: Paintings and Drawings.” Exhibition review in ARTSatlantic 60, Spring 1998: 14-15.
  • Smith, David. “Sense of ‘old scrapbooks’ in artist’s materials.” The Alliance Review, Alliance, Ohio, February 4, 1999.
  • Steffler, John. “Kent Jones: Paintings and Drawings.” Exhibition review in ARTSatlantic 52, Spring/Summer 1995: 6.

Jule, Walter

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Kerr, Illingworth Holey

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Laing, William

  • Ainslie, Patricia. “William Laing: a journey.” Printmaking Today, vol. 7, no.1, 1998:14-15.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Mara, Tim, Paul Woodrow and the Nickle Arts Museum. William Laing: a journey. Catalogue of an exhibition held at the Nickle Arts Museum February 28-April 20, 1997. Calgary: the Nickle Arts Museum at the University of Calgary, 1997.
  • Perry, Art. “Intriguing world of fleeting moments.” The Province, November 17, 1975.
  • Tousely, Nancy. “Laing’s journey was diverse.” The Calgary Herald, April 12, 1997.
  • Tousely, Nancy. “Artist shares studio for his painting days.” The Calgary Herald, June 29, 1986.
  • Tousely, Nancy. “Etchings at core of strong exhibition.” The Calgary Herald, March 29, 1985.
  • Walton, Mark. “The loneliness of the long distance printmaker.” FFWD, April 17-23, 1997.

Leighton, Alfred Crocker

  • Render, Lorne E. A. C. Leighton. Calgary: Glenbow Alberta Institute, 1971.

Leighton, Clare

  • Fletcher, William Dolan. Clare Leighton, an Exhibition: …American Sheaves, English Seed Corn… Boston: The Boston Public Library, no date.

Leighton, Barbara Mary

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Coady, Vince. “Artist’s widow paints bright future for art.” The Edmonton Journal, April 22, 1982.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • MacEwan, Grant. “Leighton Centre gives creativity chance to grow.” The Calgary Herald, June 7, 1982.
  • Zwarun, Suzanne. “Barbara Leighton left behind legacy of living art.” The Calgary Herald, May 5, 1986.
  • Zwarun, Suzanne. “Around the town…” The Calgary Herald, June 20, 1970.

Lindner, Ernest

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Jaffe, Ingrid. “Ernest Lindner turns from nature themes to human forms.” The Saskatoon Star-Phoenix, February 11, 1972.
  • Climer, J.E. and the Saskatoon Gallery and Conservatory Corporation. E. Lindner: In Retrospect, The Years 1963-1977. Catalogue of an exhibition held at the Medel Art Gallery, Saskatoon, May 1977, and at the Winnipeg Art Gallery, Winnipeg, June 1977. Saskatoon: the Saskatoon Gallery and Conservation Corporation, 1977.
  • Severson, Anne. “Savage love of a national movement.” FFWD, April 2-8, 1998.

Mackie, Dora Helen

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Geary, John. “Helen Mackie: Art & Science.” Where Calgary, Gallery Guide Summer 2001: 9-11.

May, Margaret

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Jodoin, André and the Southern Alberta Art Gallery. Margaret May: All and Nothing. Catalogue of an exhibition held March 17 to April 22, 1990. Lethbridge: Southern Alberta Art Gallery, 1990.
  • Lethbridge Herald. “Color prints, sculpture part of new exhibition at gallery.” June 27, 1990.
  • Severson, Anne. “Artist exhibits mystical transformation.” The University of Calgary Gazette, February 20, 1996.
  • Tousley, Nancy. “New work mixes all and nothing.” Globe and Mail, February 17, 1996.
  • Tousley, Nancy. “Show’s thesis never explained.” Calgary Herald, July 22, 1994.
  • Tousley, Nancy. “Time Travel: Retrospective exhibition takes you back through an artist’s mind.” Calgary Herald, February 17, 1996.
  • Tousley, Nancy and the Whyte Museum of the Canadian Rockies. Structures of Clarity: Prints by Margaret May. Catalogue of an exhibition held at the Whyte Museum of the Canadian Rockies, Banff, February 24-April 5, 1987.
  • Tousely, Nancy. “Boldly graphic prints created in airy studio.” The Calgary Herald, August 17, 1986.

McKeough, Rita

  • Southern Alberta Art Gallery. Rita McKeough: Graphic Works. Catalogue of an exhibition held May 4-June 2, 1985. Lethbridge: Southern Alberta Art Gallery, 1985.

McLaren, John Wilson

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Nicoll, James McLaren

  • Nicoll, Jim. The Poetry and Prose of Jim Nicoll. Calgary: Sandstone Publishing Ltd., 1980.

Nicoll, James McLaren

  • Laviolette, Mary-Beth. An Alberta Art Chronicle: adventures in recent & contemporary art. Canmore, Alberta: Altitude Publishing Canada Ltd., 2006.
  • Nicoll, James McLaren. The Poetry and Prose of Jim Nicoll. Calgary: Sandstone Publishing Ltd., 1980.

Nicoll, Marion

  • Ainslie, Patricia and Mary-Beth Laviolette. Alberta Art and Artists: An Overview. Brighton, MA: Fifth House Ltd., 2007.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Jackson, Christopher. Marion Nicoll: Art and Influences. Calgary: Glenbow Museum, 1986.
  • Laviolette, Mary-Beth. An Alberta Art Chronicle: adventures in recent & contemporary art. Canmore, Alberta: Altitude Publishing Canada Ltd., 2006.
  • The Edmonton Art Gallery. Marion Nicoll: A Retrospective 1959-1971. Edmonton: The Art Gallery of Edmonton, 1975.

Osborne, Lyndal

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Beauchamp, Elizabeth. “Late blooming artist reaches wide audience.” The Edmonton Journal, April 19, 1990.
  • Boulet, Roger H. and the Edmonton Art Gallery. Lyndal Osborne: Songs of the Stone. Catalogue of an exhibition held March 24-May 6, 1990. Edmonton: the Edmonton Art Gallery, 1990.
  • Enright, Robert. “Show reveals new adventures in printmaking.” The Globe and Mail, October 16, 1997.
  • Muskal, Helen. “Visual Images from Childhood.” The Edmonton Journal, February 20, 1988.

Panton, Lawrence Arthur Colley

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Pepper, George

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Phillips, Walter Joseph

  • Ainslie, Patricia and Mary-Beth Laviolette. Alberta Art and Artists: An Overview. Brighton, MA: Fifth House Ltd., 2007.
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Allison, Carlyle. “W. J. Phillips: artist and teacher.” The Beaver, Winter 1969:5-13.
  • Biner, Mary. “Personality of the Week: Mrs. John (Lois) Duffin.” Calgary Herald Magazine, March 6, 1970.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Gribbon, Michael J. Walter J. Phillips: A Selection of His Works and Thoughts. Ottawa: the National Gallery of Canada, 1978.
  • Murray, Joan. Canadian Art in the Twentieth Century. Toronto and Oxford: Dundurn Press, 1999.
  • O’Brian, John and Peter White, eds. Beyond Wilderness: The Group of Seven, Canadian Identity and Art History. Montreal and Kingston: McGill-Queen’s University Press, 2007.
  • Phillips, David. “W. J. Phillips: Printmaking as Regional Expression.” Artmagazine, March/April 1977: 6-9.
  • Phillips, Walter Joseph. Winter Wood-Cuts. Toronto: Thomas Nelson and Sons Ltd., 1936.
  • Phillips, Walter Joseph. An Essay in Wood-Cuts, With a Monography by Marius Barbeau. Toronto: Thomas Nelson and Sons Ltd., 1930.
  • Phillips, Walter Joseph. The Canadian Scene: Seven Colour Prints and a Dissertation by Walter J. Phillips, A.R.C.A., with an Introduction by Martin Hardy, R.I., R.E. Toronto: Thomas Nelson and Sons Ltd., 1928.
  • Phillips, Walter Joseph. Ten Canadian Colour Prints, With an Introduction by Duncan Campbell Scott. Toronto: Thomas Nelson and Sons Ltd., 1927.
  • Phillips, Walter Joseph. Technique of the Colour Woodcut. New York: Brown-Robertson, 1926.
  • Phillips, Walter Joseph. “Art and Artists,” Winnipeg Tribune, October 30, 1926.
  • Reid, Dennis. A Concise History of Canadian Painting, Second Edition. Don Mills, Ontario: Oxford University Press, 1988.
  • Tippett, Maria and Douglas Cole. Phillips in Print: The Selected Writings of Walter J. Phillips on Canadian Nature and Art. Winnipeg: The Manitoba Record Society, 1982.

Robinson, Clifford

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Brennan, Brian. “Artist went ‘round world – but carved niche in city.” The Calgary Herald, October 21, 1992.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Curtis, Linda. “He Learned Greek – the Hard Way.” The Albertan, August 30, 1962.
  • Reid, Eva. “Eavesdrop… with Eva Reid: Clifford Robinson.” The Albertan, June 15, 1970.

Sawai, Noboru

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Dompierre, Louise and C. E. S. Franks. Songs of Spring: Noboru Sawai 1972-84. Kingston, Ontario: Agnes Etherington Art Centre, 1984.
  • Hogg, Carol. “Sexually explicit picture removed from Glenbow.” The Calgary Herald, November 23, 1974.
  • Hogg, Carol. “Censored picture bought by London, Ont, Museum.” The Calgary Herald, November 23, 1974.
  • Joyner, Brooks. “Artist shows Sawai-faire.” The Albertan, April 29, 1979.
  • Kozinska, Dorota. “Prints exude a rare sensuality.” The Gazette, Montreal, November 29, 1997.
  • Littman, Sol. “This erotic art’s a must.” Toronto Sunday Star, April 2, 1979
  • MacGregor, Ron. “This art show offers variety of interests, styles.” The Edmonton Journal, February 9, 1974.
  • Tousley, Nancy. “Opposites explored in garden of delights.” The Calgary Herald, February 18, 1994.
  • Ylitalo, Katherine. A Garden of Delights: 25 Years of Prints by Noboru Sawai. Calgary: The Nickle Arts Museum, 1994

Schaefer, Carl Fellman

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Oko, Andrew J. and the Art Gallery of Hamilton. The Prints of Carl Schaefer. Reprinted from RACAR, vol. x, no. 2, 1983:171-198.

Shelton, Margaret

  • Ainslie, Patricia. Margaret Shelton: Block Prints, 1936-1984. Calgary: Glenbow Museum, c. 1986
  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Curtis, Linda. “Margaret’s down to earth.” The Albertan, March 2, 1974.
  • Joyner, Brooks. “And the list grows longer.” The Calgary Herald, February 4, 1979.
  • Tousley, Nancy. “Isolation plagued prolific Alberta artist.” The Calgary Herald, February 19, 1986.
  • Tousley, Nancy. “Block prints by Shelton on display.” The Calgary Herald, February 22, 1985.

Smith, James Agrell

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Liddell, Ken. “Character captured on wood engravings.” The Calgary Herald, November 26, 1954.
  • van Luven, Lynne. “Depicts prairie images in paintings, woodcuts.” The Red Deer Advocate, November 5, 1970.
  • Zemanek, Rick. “Christmas treats at museum.” The Red Deer Advocate, December 8, 1973.

Snow, John

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Joslin, Mark. John Snow: Four Decades. Catalogue of an exhibition at the Edmonton Art Gallery, November 11, 1989 – January 14, 1990. Edmonton: The Edmonton Art Gallery, 1990.
  • McLean, Helen. “Snow’s prints go international.” The Albertan, August 8, 1970.
  • Orford, Emily-Jane. “John Snow: Artist’s colour lithographs deceptively simplistic.” Western People, August 1, 1985.
  • The Albertan. “Lithography alive in John Snow’s art.” July 22, 1961.
  • The Calgary Hearld. “Artist-banker had no trouble balancing his interest.” April 22, 1984.

Stevenson, William Lewy Leroy

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Tanabe, Takao

  • Thom, Ian M., Roald Nasgaard, Nancy Tousely and Jeffrey Spalding. Takao Tanabe. Vancouver and Toronto: Douglas & McIntyre, 2005.

Warrener, Lowrie Lyle

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.

Webb, Ken

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Tousley, Nancy. “Etcher’s expertise shines in show.” The Calgary Herald, July 26, 1986.
  • Tousley, Nancy. “Artist creates classical fantasy in paintings.” The Calgary Herald, May 25, 1986.
  • Tousley, Nancy. “Calgary printmaker really an artist of many talents.” The Calgary Herald, June 2, 1983.

Webber, George

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.

Westergard, James

  • Rickard, D’Arcy. “Red Deer artist to create illusions in his work.” The Red Deer Advocate, June 13, 1980.
  • Tousley, Nancy. “Visual Arts.” The Calgary Herald, June 7, 1979.

Will, John

  • Cochran, Bente Roed. Printmaking in Alberta, 1945-85. Edmonton: The University of Alberta Press, 1989.
  • Joyner, Brooks. “Will’s lithos can be elusive.” The Calgary Herald, April 22, 1979
  • MacGregor, Ron. “This art show offers variety of interests, styles.” The Edmonton Journal, February 9, 1974.
  • McConnell, Clyde. John Will/Marvin Jones, catalogue of an exhibition held at Glenbow Museum, July 25-June 20, 1975.
  • McDougall, Arthur. “Art works differ in style, intent.” The Lethbridge Herald, January 14, 1981
  • Spalding, Jeffrey J. and John Will. John Will: A catalogue of the complete graphic works to date published on the occasion of an exhibition of his prints at the Glenbow Museum, April 2- June 22, 1980. Calgary: Glenbow Alberta Institute, 1980.
  • Tousley, Nancy. “Artist’s work covers contemporary art world.” The Calgary Herald, September 15, 1986.
  • Tousley, Nancy. “Artworks link cities across the nation.” The Calgary Herald, September 29, 1983.
  • Tousley, Nancy. “Humourous Calgary lithographer sends witty darts into the local arts scene.” The Calgary Herald, January 10, 1980.

Wrinch, Mary Evelyn

  • Ainslie, Patricia. Images of the Land: Canadian Block Prints 1919-1945, Second Edition. Calgary: Glenbow Museum, 1984.
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Unpublished Resources

  • Andrews, Sybil and Cyril E. Power. Aims of Art Today. Unpublished manuscript, 1924. Copy located in the Glenbow Archives, M-8411-124.
  • Atkins, Caven. Letter from Atkins to Patricia Ainslie at the Glenbow Museum, May 8, 1984. In Glenbow’s Source Files.
  • Askren, Patricia. Personal correspondence with the author, May 27, 2008.
  • Brender à Brandis, Gerard. Artist’s statement in Glenbow artist’s file.
  • Esler, John Kenneth. Letter from Esler to Patricia Ainslie at the Glenbow Museum, February 16, 1988. In Glenbow’s Source Files.
  • Shelton, Margaret. Undated autobiographical sketch. In Glenbow’s Artist File.
  • Transcript of an interview between Sean Murphy and Patricia Ainslie, September 19, 1987, concerning Cecil Buller. In Glenbow’s Artist File.
  • Transcript of an interview between Alistair Bell and Dorothy Metcalfe of the Vancouver Art Gallery, May 28, 1974. In Glenbow’s Artist file.
  • Andrews, Sybil and Cyril E. Power. Aims of Art Today. Unpublished manuscript, 1924. Copy located in the Glenbow Archives, M-8411-124.
  • Will, John. Personal correspondence with the author, May 16, 2008.
  • Will, John. Unpublished lecture notes in Glenbow artist’s file, ca. 1980.
  • Bell, Alan. Personal correspondence with the author concerning Alistair Bell, March 19, 2008.
  • Jones, Kent. Personal correspondence with the author, June 5, 2008
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Useful Web Resources: General

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Web Resources for Specific Artists

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