Still, many women defied the odds, attaining high levels of accomplishment, whether as amateur artists or professionals. Portraiture offered an alternative path to success as an artist, without life drawing experience. Portrait themes relating to womanly virtues, like domesticity, helped allay moral concerns and were considered especially appropriate as ‘feminine’ subject matter.
Yet then, as now, many of these women were drawn to the portrait’s artistic possibilities. These artists chose to work within the genre in different ways, making it their own. By the mid-twentieth century, representations of the female body took on new symbolism and perspectives emerged from outside the western tradition.
It shouldn’t surprise us, then, that this varied selection of amateur and professional portraits, drawn from the collections of Library and Archives Canada and Glenbow, is not always quite as expected.