The centrepiece of the exhibition is a runway of Soundsuits – Cave’s most famous creation. A kind of wearable sculpture, Soundsuits are part costume, part fashion explosion, part political statement. The first Soundsuit was created in response to the 1992 beating of African-American motorist Rodney King by Los Angeles police officers. In the wake of that event, Cave, as a young Black man, felt vulnerable, unseen, and discarded by society. He was drawn to collect sticks and twigs, which he felt represented “unwanted” things. He used them to construct a kind of bristling suit of armour to obscure race, gender, class, and identity. The name “soundsuit” came from the rustling sound the piece produced when Cave put it on and moved about). Since then he has created more than 500 Soundsuits, often in response to urgent and tragic events.